In this workshop, we will consider the intersections between political theory, Indigenous studies, and critical writing. To do so, we will discuss a selection of short, diverse literary and cultural texts that engage with both critical theory and Indigenous thought and practice in nuanced and creative ways, including poetry, creative non-fiction, and fine art (broadly conceived). This discussion will include examinations of historical and contemporary moments, movements, tensions, and dialogues, which is intended to foster an understanding of the broader social, political, and historical contexts from which these critical and theoretical productions and conversations emerge. We will investigate not only engagements between Indigenous and “Western” thought, but also between Indigenous and other non-Western thinkers, including from the traditions of Black Studies and other anti-colonial traditions of critical analysis. With that said, this is a writing intensive workshop. The task will emphasize critical thinking and reflection, with a strong focus on the development of sustained analysis and argumentation in participants’ writing.
